WebbButterfield Horse Construct a high-relief horse using quick mâché and found objects Deborah Butterfield, a noted American sculptor, first gained wide recognition in the late 1970s. Horses have been the single, sustained focus of Butterfield's work for more than 30 years. Her early work consisted of fragile creations of mud, sticks, Webb25 maj 2024 · Deborah Butterfield is a sculptor based between Montana and Hawaii. The artist first started creating horses using natural materials such as mud, clay, and sticks. Then, she began using reclaimed materials such as found steel and scrap metal. For the past 20 years, Butterfield has been using bronze casts of branches and sticks to create …
Look at the sculpture above. Does it most likely have implied texture …
WebbDeborah Butterfield first began creating sculpture in the form of a horse in the 1970’s using mud, clay and sticks. In 1977, she moved to a ranch in Montana and in 1979 began using scrap metal and found steel. Webb10 apr. 2024 · This sculpture is called the Horse of Debra Butterfield. The sculpture has a real texture, because the touch we're seeing is what we're going to like the most. Students ' reactions to the texture may shi, but will most probably include the previous terms / textures: roughness of the wood / sticks, roundness of the bones and sections of the … smosh noah grossman
Deborah Butterfield - Wikipedia
WebbFrom the Palm Springs Art Museum: Deborah Butterfield is an American sculptor known for her large sculptures of horses. She and her husband, artist John Buck, divide their time between Hawaii and a farm in Bozeman, Montana, where Butterfield trains, rides, and bonds with her horses. Butterfield’s early horse sculptures from the 1970s were ... Webb6 juli 2024 · Butterfield decided to make her first horse sculpture of Burlap, working then in mud and sticks, and discovered the connection ran even deeper. Using her arms to … WebbButterfield has never been interested in the naturalistic depiction of horses in the common sense of realism in the art world. She prefers that her small works be viewed on pedestals to alleviate any confusion as to her intention regarding the abstract nature of her sculpture. PO'ELE'ELE, 2012, unique cast bronze with patina, 35 x 38 x 11 inches. rizal theater